Sample essay topic, essay writing: Quentin Tarentino - 1520 words
.. racted by the suits surrounding her and ends up buying one. This is another tactic Tarentino uses to mark his movies as his own. He creates a distraction in major scenes of the movie, just like he did in Reservoir Dogs with Mr. Pink.
In this movie the distraction is the new suits, whereas in Reservoir Dogs the distraction is the bag of diamonds. Well, after Jackie is done with the bag switching and suit buying, she begins to act out the rest of her plan to fool the ATF. The camera begins to track Jackie again by the front, showing her faked paranoia, but real nervousness, and the music speeds up to build suspense for the moment. Eventually, Jackie stops walking in search for the ATF agents and the camera begins to spin around her, as she looks for the ATF agents, showing her lost, nervous appearance. Then she calls for them and they come running in, completing the final stage of the heist, and ending the shot
Quentin Tarentino uses the repetitive actors and actresses in Jackie Brown as well to continuously illustrate to the audience the stamp he has on his movies. For Instance, Samuel L. Jackson has a big role in both Jackie Brown, as Ordell, and in Pulp Fiction, as Jules Winfield. Tarentino also uses actors and actresses in roles that are not common to them. For example, Robert Deniro plays an old bank-robber in Jackie Brown, but his role is usually really different in comparison to past movies he has starred in.
Yet, Quentin Tarentino also uses actors and actresses in roles that are not uncommon to them. In Jackie Brown, Quentin does this by using Pam Grier as the main protagonist, and the badass outlaw that she is normally used to. Finally, the main aspect of Tarentino films that really set them apart from other films, and fully show that Quentin Tarentino directed the film, are the way these films are shot. In Jackie Brown, the movie is filmed in sections, as Reservoir Dogs and Pulp Fiction is shot. This not only explains the film from a certain angle, but it also tends to make the audience want to see the movie again to pick up on all the subtle hints and tricks Tarentino uses between the shots; as well as paying closer attention to the scenes.
This is Quentin Tarentino's second movie that he directed, and it clearly shows. Pulp Fiction, shot in 1994, initiates with the story of two petty thieves, Honey Bunny and Pumpkin, who spontaneously decide to hold up a coffee house. The film then shifts to the story of Jules and Vincent, two loyal hit men of Marsellus Wallace that are going about his business. The final story is one of boxer Butch Coolidge who turned around his deal with Marsellus Wallace in a boxing match, and now is on the run. This film is a little different than the past Quentin Tarentino films only because it is set into a different genre. Tarentino's first films were placed into the heist genre, whereas Pulp Fiction is placed into the gangster genre.
This film is different than other gangster films due to the way it is filmed. The movie is portrayed with different scenes that are all related in some way, and these scenes are shown in a reverse order. Quentin Tarentino mastered this technique and put it to great use in Pulp Fiction. The usual gangster films are not shot in this manner. Throughout Pulp Fiction the violence holds a strong role in the way the movie is filmed. For example, Jules and Vincent storm into an apartment because of Marsellus Wallace's orders, and kill all the residents only because they did not pay Marsellus Wallace the money they owe him. After this, they take one of the residents of that apartment into their "Chevy Nova" and Vincent's gun goes off accidentally and splatters the resident's brain all over the car.
Another example of the violence in this film occurs when Marsellus Wallace's girlfriend overdoses on Coke and Vincent is forced to take care of her. What he learns that he must do is jam a needle filled with adrenaline into her heart to make sure she stays alive. This whole time, the suspense is completely built up and the music and pace of the movie is quickened, which is another Tarentino trick. In addition to these examples, another portrayal of intense violence in this movie takes place when Butch and Marsellus begin to fistfight with each other into a pawn shop, and just before Butch blows Marsellus Wallace's head open with a gun, a shotgun is pointed at him and he is forced to stop. Then, they are both tied up, the workers and a fake cop rape Marsellus Wallace, and then Butch eventually frees Marsellus after getting himself loose. Marsellus then proceeds to take the shotgun that was once pointed at him and shoots the genitals off of the fake cop that was raping him.
This violence once again acts as a manifestation of a criminal lifestyle, and the path that one follows when entering this type of lifestyle; which is one made up of money, sex, drugs, and heaps of violence. Tarentino makes the audience have sympathy for the characters and respect the way they run things, yet he betrays the audience when Butch kills Vincent after a very suspenseful Tarentino tracking shot. This shot begins with Butch dismounting his chopper. The camera starts to follow him from the back through a field filled with weeds and dead grass until he reaches his apartment. This whole time it is completely silent, which tends to create a large amount of suspense for the audience.
Butch walks very slowly up to his apartment, the whole while looking around and being very silent, with extreme paranoia. The camera focuses on Butch from a low-angle shot on the first floor while he is on the second, tip-toeing to his apartment. The camera still follows him until he is about to open the door, and then cuts to his shaky hand about to turn the key. He opens the door quickly, and proceeds to put toaster pastries in the toaster, which serves as a distraction during a very suspenseful moment; also seen in Reservoir Dogs and Jackie Brown. After placing the toaster pastries in the toaster, Butch finds an Uzi in his apartment, and picks it up with curiosity.
Just at that moment the bathroom door opens and Vincent comes out of the bathroom. Butch points the Uzi at Vincent and begins to unload onto him right when the pastries pop-up out of the toaster, serving as another violent shot. Quentin Tarentino also casts similar actors and actresses in this film as well. Yet, the main factor of this gangster film that sets it apart from many gangster films, and which marks it as a Quentin Tarentino film, is the way the movie is shot. The plot unfolds as each new scene comes into play. Some describing previous scenes, others having nothing to do with the previous scenes at all.
This type of directing was only special to Quentin Tarentino films, until many other directors began to mimic Pulp Fiction after its enormous profit. Tarentino shoots his movies like this for many reasons. To force the audience to play closer attention to the movie, to cause people to see it multiple times, to view the movie from a different angle, and to further mark his films with his unique sharpie TM. Pulp Fiction is thus blessed with the markings of Quentin Tarentino. After watching Reservoir Dogs, Jackie Brown, and Pulp Fiction the audience gains a greater understanding of Quentin Tarentino and what he tries to represent in his movies.
Quentin Tarentino uses violence as his main motif to suggest what he believes the criminal lifestyle incorporates, and the road it leads one to. Tarentino uses the tracking shots in his movies as a stylistic element to build up the suspense of a scene and to show the paranoia of the actors fulfilling the role. Although not explored, Tarentino uses the swearing of the gangsters/criminals to further display their roles in each movie. Yet, the actors and actresses that did not act as a criminal tended not to curse at all, which can be found interesting. To further extend Quentin Tarentino's role as an auteur, he repeatedly uses the same actors, actresses, and objects in each movie. The characters in each movie learn that a life of crime leads to death and/or other bad situations.
The audience learns that swearing is good, drugs are good, and movie cuts are cool. Just kidding. The audience learns that thinking before one's actions and leading a clean lifestyle, will lengthen one's life. In looking at Reservoir Dogs, Jackie Brown, and Pulp Fiction by Quentin Tarentino, we see the visual and stylistic comparisons between the films that portray Quentin Tarentino as an auteur, and find that these comparisons are advocated through the severe violence, similar casting, and unique filming of each of these movies.
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Quentin Tarentino
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