Sample - 1087 words essay topic, essay writing: Globe Theater
II. Structure of the Globe The theater that Cuthbert Burbage built for the Chamberlain's Men had a total capacity of between 2,000 and 3,000 spectators. Because there was no lighting, all performances at the Globe were conducted, weather permitting, during the day (probably most often in the mid-afternoon span between 2 P. M. and 5 P. M.). Because most of the Globe and all of its stage was open air, acoustics were poor and the actors were compelled by circumstances to shout their lines, stress their enunciation, and engage in exaggerated theatrical gestures. What would seem most striking to a modern (Broadway) theatergoer about the productions staged at the Globe is that they were completely devoid of background scenery. Although costumes and props were utilized, changes of scene in Shakespeare's plays were not conducted by stagehands during brief curtain closings.
There was no proscenium arch, no curtains, and no stagehands to speak of other than the actors themselves. Instead, changes of scene were indicated explicitly or implicitly in the speeches and narrative situations that Shakespeare wrote into the text of the plays. The stage of the Globe was a level platform about 43 feet in width some 27 or 28 feet deep that was raised about five feet off the ground. The stage was fitted with a number of mechanisms (trap doors in its floor for instance), and distinct sections (e. g., a sub-stage space toward its back lip for parallel action) that were creatively utilized by Shakespeare in his stage directions. It was surrounded on three sides by the 'pit' in which 'one-penny' spectators stood and, at a setback, by an amphitheater three stories high, each having a gallery and seating for 'two-penny' theatergoers. While the galleries of the two-penny section may have been partially covered, the stage and the pit were open air
On the fourth side of the stage was an adjacent 'tiring' house, where costumes changes were made. It was capped by a small turret structure, from which a flag and a trumpeter would announce the day's performances. III. The Audience and the Actors During Shakespeare's era, the Globe Theatre was not in the formal jurisdiction of London per se, but was located on the south side of the Thames River in the Southwark district. Along with its predecessors and rivals, the Globe Theatre was part of what might be called the 'sporting district' (if not the 'red light district') of Greater London. Although condemned by London authorities, along with cock-fighting, bear-baiting and the bawdy attractions of taverns, the Southwark theater district operated outside the legal reach of the City's officials.
But while the Globe Theatre, and indeed, the entire Elizabethan theater scene opened its doors to the low life of the pits, it also accommodated an audience of higher-status, well-heeled, and better educated individuals. As Harry Levin notes in his general introduction to the Riverside Shakespeare (1974), the 'Globe was truly a microcosm or little world of man'. With its logo of Hercules holding up the earth (as a temporary replacement to Atlas), the Globe Theatre constituted a 'little world' in which the social elite rubbed up against a cross-section of common vulgarians, drunken idlers, and other shady, street-wise sorts. Yet, at the same time, the Globe was grand even in the eyes of Elizabethan society's most powerful and prosperous leaders. As Levin also observes in his prefatory essay, recently discovered documents indicate that reconstructions of the Globe as 'a quaint little Tudor cottage' have been errant, since Burbage's house 'may have had arches, pilaster, and other details of Baroque architecture'.
Contemporaneous accounts suggests that the Globe was far more impressive than the thatched and half-timbered models of it can capture, having a more spectacular look to its structure than is commonly recognized, one that was further heightened by property embellishments (e. g. fabric hangings) and spectacular pageantry. As the disapproval of the Globe and its counterparts by London's town fathers suggests, the Elizabethan theater and the acting companies that animated it were looked upon askance by at least some conservative elements in England. Considered a purple profession, acting was a precarious way of life even during the relatively enlightened reigns of Elizabeth and James. Most stage players were vulnerable to arrest on charges of vagrancy if they were not under the protection of a powerful sponsor. Shakespeare's company at the Globe was set apart by virtue of being formally patronized by first the Lord Chamberlain of Queen Elizabeth and then by King James I himself. A total of 26 names are recorded as the 'Principal Actors' of Shakespeare's company at the Globe in the First Folio of the Bard's collected plays.
Near the top of the list we find Richard Burbage, brother to Cuthbert, major partner in the Globe, and the foremost tragedian of the Elizabethan stage. The sole owner of another, significantly smaller venue (the Blackfriars Theatre), Richard Burbage initiated the performance of some of Shakespeare's most famous characters, including Hamlet, Lear, and Othello, and brought even greater vitality to other roles, e. g., Richard III. The extent to which Shakespeare wrote his great tragic hero roles with Burbage in mind cannot be determined, but the indirect evidence strongly suggests that the playwright knew in advance that Burbage would be the 'star' and had him in mind when he created the characters of Hamlet, Lear, Othello and the like. Despite the need for exaggeration in the Globe's outdoor setting, Burbage was best known for his naturalistic style of acting, his subtler performances standing in sharp relief to the wild rantings of his peers. Prior to the Globe's opening in 1599, the leading comic actor of the Chamberlain's men (and another shareholder in the Globe) was Will Kemp.
His roles included those of the servant Peter in Romeo and Juliet, (probably) Bottom in A Midsummer Night's Dream, and (quite possibly), Falstaff of the Henry IV plays. In 1599, Kemp prepared to cede his position as the leading comic actor of Shakespeare's troop when another popular comedian, Robert Armin, joined the Chamberlain's Men. Armin's capacity for wordplay through malaprops and half-meant puns became legendary, particularly in the clown roles of Touchstone ( As You Like It) and Feste (Twelfth Night); it is possible that Armin made his debut at the Globe in the role of Feste, with Viola, the heroine of Twelfth Night saying, 'This fellow is wise enough to play the fool' (III, i., l.60). In any event, during the great tragedies period, Armin was blessed with one of the best comic roles in Shakespeare's canon, that of the Fool in
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Biography of William Shakespeare William Shakespeare was born in 1564, supposedly on 22 or 23 April, in Stratford-upon-Avon. His father, John, who was a prosperous glover there, Preparing and selling soft leather, became alderman and later high bailiff. Shakespeare was educated at Stratford Grammar School. When he was eighteen, he Married Anne Hathaway - eight years older than he William Shakespeare Sample essay topic, essay writing: William Shakespeare - 531 words
William Shakespeare was born in 1564, in Stratford, located in the center of England. His dad, John, was a trained glove maker, who was married to Mary Arden. She was the daughter of Robert Arden, who was a farmer in a nearby village of Wilmcote. John Biography William Shakespeare “More is known about Shakespeare than any other professional dramatist of his time (2).” He was born in the small English town of Stratford-upon-Avon. At the age of seven, Shakespeare attended a strict, high-status grammar school. Students studied Latin, since it was necessary in the time to have a successful career, and attended classes nine William Shakespeare was a great English playwright William Shakespeare was a great English playwright, dramatist and poet who lived during the late sixteenth and early seventeenth centuries. Shakespeare is considered to be the greatest playwright of all time. No other writer's plays have been produced so many times or read so widely in so many countries as his. Shakespeare was born to What is it that made Shakespeare so famous? In his plays he combined the elements that people of his time loved and that people still like today. Many things greatly influenced the writing of Shakespeare’s plays.
William Shakespeare had a very interesting life that undoubtedly greatly affected his plays. He was born on April 23, 1564 in Stratford-upon-Avon and was the third of eight